Part one, Mythology
Three thousand years ago on the sunny shore of the Eastern Mediterranean, along the Aegean Sea, lived a priestess named Cassandra, a young “Paul Revere” who was telling the people of Troy that:
“The Greeks are coming and the Wooden Horse they left is a trick to allow them
to breach our impenetrable walls.”
The Greek Army was using a tactic against the Trojan people that was a hallmark of Middle Eastern thought, The Riddle Concept: the misleading of ones Enemies and the Common Folk. Sadly, even though Cassandra had been given a great Gift, the uncanny ability to unravel riddles, with that Gift came a Cruel Curse. The curse that no one ever believed her, because of that disbelief, the citizens of Troy were deceived into believing a lie, a lie that would cost them their City. Consequently, as the Orators of Troy (also known as Gatekeepers) brought through the gates of Troy the large Wooden Horse, our Visionary, poor little Cassandra was being ridiculed to shame, and told:
“Shut up and go home Cassandra or something ‘Bad’ might happen to you”
Today if our Gatekeepers of knowledge saw someone like Cassandra who was so far out of touch with those skeptics ’ concept of Truth: The diagnosis would be, “She is just part of a Lunatic Fringe .” Our modern Gatekeepers of knowledge, therefore, would feel justified in dismissing our poor little Cassandra and her “Statements of Truth” in a similar situation.
Deception through camouflage as in the Wooden Horse that the Greeks used was the “Common Trick” in Eastern Mediterranean Mythology. Within their story form riddles were hidden answers to a great number of the most puzzling aspects of their History. Answers locked away, woven into their religions, myths, and legends. The Semitic people described this concept of dissimulation, as a “Khood”2 which implied a knot or a snarl of silk thread; or the word “chiydah”:3 a riddle. The complementary word was “mashah, ”4 the unwinding of a silk worm cocoon, and mashal a story form riddle. However, to manufacture a silk piece of cloth you must first have thread. Therefore, you must find the end of the silk worm’s last strand that he had spun around himself. Then carefully unravel that last strand as the cocoon sits floating in water. Then hundreds of strands per-inch were used in the manufacture of silk cloth. A process that is far more time consuming than the production of felt cloth; where you smash short unsorted fibers together to produce, a cloth for the Common Folk. The genesis of this process of silk production dates back thousands of years ago to Egypt. Though the Art was lost in antiquity, nevertheless, traces of that production can be seen in the language of the Semitic people. One of the most famous of the Hebrew leaders was a man named, Moses 5 and that name is derived from that same Hebrew root word as “mashah” 6 and he too was drawn up from the water of the Nile in a Cocoon of Bulrushes. The title Messiah, , LORD of the Riddle, The Spinner of “mashals”, (Zader Yiger Mantchih:“The Silken Man”7,) also comes from that same Semitic root word “Mash”, however, Messiah ends with the “Sacred Name” Jah or Iah8, LORD: not “ich”, Union.)
The synonym for this Semitic concept of the mashal in the ancient Greek secular world was derived from its root words of para,9 “be close to or run alongside” and bolo10 “to be thrown off or redirected.” There are many words that have those root words, and most of which still hold true to the basic meaning of the Greek root words such as: parallel, paralegal, paraboloid, and parabolic. Even so, for some strange reason the Religious Crowd change the meaning of parable to mean, “An illustration given to make a concept clear for the Common folk.” Though, the “Book” that they say confirms this concept says just the opposite:
Qumran Cave One 11
The reason that I speak to them in Parables12 (mashal Story riddles)
is that seeing they will not perceive; and hearing they will not understand.
The Wise will hear, and will increase learning; and a man of understanding Shall attain unto wise counsel;
so he can understand (mashal)14 story riddles
and their interpretation of the words of the wise, And their (chiydah15) Dark Sayings
The Book of Secrets16
Qumran Cave Four
4Q300 F1 Col 2
“Consider, those teachers of error: that say, ‘The story riddles (mashal) declares themselves that the (mashal) riddles is plain to see even before the Wise speaks…“
Proud in your foolishness teachers of error, for the vision is sealed up from you, and you have not properly understood the eternal mysteries and you have not become wise in understanding but foolish for you have not properly understood the origin of Wisdom; but if you should unseal the vision. The story riddles (mashal) is foolishness in all your wisdom.”
“I shall speak out freely, and I shall express my various sayings among you for those who would understand story riddles (mashal) the dark hidden secrets (chiydah18) ana, that they propose and those who would penetrate the origins of knowledge, along with those who hold fast to the wonderful mysteries, hidden from those who walk in simplicity as well as those who are devious in every activity of the deeds of humanity. Hidden from those with stiff necks, and hard heads, and all the mass of the Common Folk.
The Egyptian Het Benben 19
They see Ra (The light of sun) with their eyes and enter in his secret images. I protect my hidden things which are in Het Benben (house of the Renaissance)
The Story Riddle were used as a system to keep the knowledge of the Riddle Lords secrets from their Enemies and the Common Folk: though retrievable by the diligent. This system has worked well, almost too well. The answers to those Eastern Mediterranean cultures most baffling secrets, have been passed on from one generation to the next generation camouflaged within the essence of these riddles. Answers hidden, unchanged, and locked in riddles inside myths and legends of sex, violence, gods and goddesses and the super natural. This premise of the unwinding of threads to guide us through the maze of ignorance to the light of wisdom is a concept that was taught in the Greek story of the hero of the virgins of Athens. Theseus went to the labyrinth of Minotaur20 to take those young people’s place in darkness, and to do battle with that half-man-beast. Theseus knew he had no hope of escaping the Labyrinth, even if he defeated Minotaur. Luckily, Theseus had an admirer, the King’s daughter Ariadne; this young woman gave Theseus the key to unlock the riddle of the Labyrinth a simple ball of thread, Thread that was able to lead Theseus out of the maze into the light of day.
So why is this Wisdom locked away in these ancient story riddles so important that we must unwind these silk threads or riddles? Because they contain answers hidden in “Dark Sayings” (chiydah) that even the most educated of the 21th century of the Christian era have never been aware of; Dark Sayings that unlocks the most puzzling aspects of the Eastern Mediterranean culture. Alchemy is a case in point.
Magic of Alchemy
The Alchemists, who had learned the trick of turning Base Metals silver, loved this Game of Camouflage. The key to Alchemists silver and Gold was the element mercury also known as quicksilver. This liquid metal was known in Time’s Past as an “Anointing Oil.” The eternal question has been, “How do you turn a clean Base Metal coin: silver and then golden?” This is a well-known process that has been used in refining gold for thousands of years; yet, the truth of the Magic of Alchemy has eluded the Common Folk. All that is needed is a drop of quicksilver that was rubbed into the coin in so doing the mercury quickly spreads, turning the coin silver. The mercury would then spread out on the coin like oil on water. The coin then has a thin silver mirror finish. If you scratch the coin the mercury instantly fills the scratch, so the coin seems to be solid silver, therefore, a copper penny would seem to be a silver dime. Here in the “States” our Government has learned the Alchemist trick: our coins have a copper core and a bright silvery, finish, though not with mercury. Sadly the Common Folk here in the States value those coins as if they were solid silver. Our government has learned the value of the Alchemist Silver coin and the Common Folk have not.
To turn the Alchemist silver coin to a golden one is almost as simple, though the process does require a tiny amount of microscopic gold. The Alchemist silver coin is suspended in water and a mixture with a yellow or red sulfur to hide the tiny flecks of gold. The coin in the slurry is then agitated. This allows the stickiest of the oily quicksilver to capture the microscopic flakes of gold, which turns the coin golden with a coating, a veneer so thin that the tiny amount of gold looks solid. The Alchemist’s silver and gold are the keys to understanding many of the mysteries of the Eastern Mediterranean cultures of the past.
The “Gatekeepers of knowledge” of today understands these Dark Sayings such as Alchemy as clearly as the people of Troy understood “The Secret” contained in that Large Wooden Horse that their Gate Keepers brought through the gates into their city. A people that could describe the Horse’s outside in great detail and could give you a long list of Common people and of the Intellectual leaders of Troy that would describe the Wooden Horse in exactly the same way, EXCEPT THAT ACCURSED CASSANDRA.
1Leaf, The Iliad in Prose, Schwab, Gustav, Gods and Heroes, Myths and Epics of Ancient Greece
2Strongs, James, Hebrew Dictionary of the Old Testament, Madison, NJ, 1890 , no. 2330
3Ibid, no. 2420
4Ibid, no., 4912, 4897
5Ibid, no. 4872
7The Silken Man: Zader Yiger Mantchih in Yiddish
8Strongs, Op.Cite, Hebrew no. 4899
9Strongs, James, Greek Dictionary of the New Testament, Madison,NJ, 1890, no. G, 3846
10Ibid, no. G,906
11Isaiah 13:13, Qumran Cave one, Isaiah second copy
12Strongs, Op Cite,, Hebrew, no.4871
13 Lamsa, G. M., The Holy Bible :from the ancient Eastern text -The Peshitta-; San Francisco : Harper & Row,1957: Proverbs 1:5-6
14Strongs, Op Cite, Hebrew no.4871
15Ibid, no. 2420
16The Book of Secrets” Qumran Cave Four” 4Q300 F1 Col 2
17Ibid 4Q301 F1
18Strongs, Op.Cite, Hebrew no. 2420
19Budge, E. A., The Egyptian Heaven and Hell ( Book of WHAT is in Duat) ,Martin Hopkinson Co. ,London,1925, Vol 1,P 196
20Schwab, Gustav, Gods and Heroes, Myths and Epics of Ancient Greece